Lectures (Video)
- 1. Introduction
- 2. Robert Frost
- 3. Robert Frost (cont)
- 4. William Butler Yeats
- 5. William Butler Yeats (cont)
- 6. William Butler Yeats (cont) III
- 7. World War I Poetry in England
- 8. Imagism
- 9. Ezra Pound
- 10. T. S. Eliot
- 11. T. S. Eliot (cont)
- 12. T. S. Eliot (cont) III
- 13. Hart Crane
- 14. Hart Crane (cont)
- 15. Langston Hughes
- 16. William Carlos Williams
- 17. Marianne Moore
- 18. Marianne Moore (cont)
- 19. Wallace Stevens
- 20. Wallace Stevens (cont)
- 21. Wallace Stevens (cont) III
- 22. W. H. Auden
- 23. W. H. Auden (cont)
- 24. Elizabeth Bishop
- 25. Elizabeth Bishop (cont)
Modern Poetry - Lecture 14
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Lecture 14 - Hart Crane (cont)
Hart Crane's masterwork The Bridge is positioned as a response to the modernist aesthetics of T.S. Eliot's The Waste Land. The visionary and specifically American aspects of the epic are stressed. Crane's interest in myth and symbol, his inclusion and treatment of marginal figures, and his refiguring of the American hero are considered alongside his unique perspective on the role of imagination in the creation and shaping of history.
Prof. Langdon Hammer
Modern Poetry, Spring 2007 (Yale University: Open Yale) http://oyc.yale.edu Date accessed: 2009-11-08 License: Creative Commons BY-NC-SA |
