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Modern Poetry - Lecture 16

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Lecture 16 - William Carlos Williams

The poetry of William Carlos Williams is presented and analyzed. His use of enjambment to surprise and transform is examined in order to highlight Williams's interest in depicting creative and cognitive processes. The Imagist qualities of much of Williams's poetry is considered alongside his engagement with modernist art--particularly the preoccupation of Duchamps and Cubist painters with the process of representing sensual perception. His free verse, which includes the innovative use of white space and carefully, visually balanced lines, establishes his position as one of the most visually-oriented poets in all of modernism.

Prof. Langdon Hammer
Modern Poetry, Spring 2007
(Yale University: Open Yale)
http://oyc.yale.edu
Date accessed: 2009-11-08
License: Creative Commons BY-NC-SA

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