Lectures (Video)
- 1. Introduction
- 2. Robert Frost
- 3. Robert Frost (cont)
- 4. William Butler Yeats
- 5. William Butler Yeats (cont)
- 6. William Butler Yeats (cont) III
- 7. World War I Poetry in England
- 8. Imagism
- 9. Ezra Pound
- 10. T. S. Eliot
- 11. T. S. Eliot (cont)
- 12. T. S. Eliot (cont) III
- 13. Hart Crane
- 14. Hart Crane (cont)
- 15. Langston Hughes
- 16. William Carlos Williams
- 17. Marianne Moore
- 18. Marianne Moore (cont)
- 19. Wallace Stevens
- 20. Wallace Stevens (cont)
- 21. Wallace Stevens (cont) III
- 22. W. H. Auden
- 23. W. H. Auden (cont)
- 24. Elizabeth Bishop
- 25. Elizabeth Bishop (cont)
Modern Poetry - Lecture 17
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Lecture 17 - Marianne Moore
The poetry of Marianne Moore is considered alongside its preoccupations with gender, American culture, and nature. The poem "A Grave" is presented as characteristic of the prose rhythms and discursive manner of Moore's poems, including their use of expository language without meter or rhyme. The poem "England" is read as a defense of American culture, in opposition to the Eurocentricism of Eliot, Pound, and other modernists. In the poem "An Octopus," Moore makes use of excerpts from pamphlets and other unusual prose sources to suggest that inspiration is not limited to any one voice or to literary models.
Prof. Langdon Hammer
Modern Poetry, Spring 2007 (Yale University: Open Yale) http://oyc.yale.edu Date accessed: 2009-11-08 License: Creative Commons BY-NC-SA |
